在二十世纪中国绘画史上,黄胄以其杰出的人物画和动物画成就占据着突出的地位。实际上,黄胄的动物画成就丝毫都不逊色于其人物画。黄胄的动物画中最为人们熟知的是其水墨毛驴。黄胄画毛驴主要有三个方面原因:其一,其初衷本来是想以毛驴为突破点来锻炼笔墨,后来经过刻苦努力反而成为他最擅长、最拿手的绘画题材;其二是他年轻时期主要生活在中国西北地区,那里几乎家家户户养毛驴,长期耳闻目睹,便逐渐喜欢上了画毛驴;其三是受其老师赵望云的影响。 In the history of Chinese painting in the twentieth century, Huang Kui occupies a prominent position with his outstanding portraiture of portraits and animal paintings. In fact, Huang Zhi animal painting achievements in no way inferior to the figure painting. The most famous animal in Huangpi is its ink donkey. Huang Kui painted donkey mainly for three reasons: First, the original intention was to donkey as a breakthrough point to exercise pen and ink, but later worked hard but instead he became the best at best painting theme; the second is his youth mainly Living in the northwestern region of China, where almost every household raised donkeys, long-term seeing and hearing, they gradually like drawing on donkeys; the third is influenced by the teacher Zhao Wangyun.