拜读《汉字文化》杂志转载的《〈神奇的汉字〉专家座谈会纪要》(见1992年第2期),获益匪浅,感慨良多。在此略陈一二,供读者思考,请《纪要》作者批评指教。 其一 组织一批人,对一部影视作品不是进行心平气和的讨论、一分为二的分析,而是严肃批判、全盘否定,这使人不能不想起江青和她的那个《纪要》。为什么在彻底否定了“文化大革命”之后,为什么在批判了“两个凡是”,开展了“实践是检验真理的标准”大讨论之后,为什么在改革开放的今天,仍然出现了以长官意志、运用行政命令肆意摧残文艺创作的怪现象,对和自己一方观点不同的作品抓辫子、扣帽子、打棍子,我以为这不能不使创作者寒心,使读者惊心,真令人百思不得其解! Read the “Chinese character culture” magazine reprinted “<”, “Magical Chinese> Summary of Symposium” (see 1992 2), benefited a lot, feeling a lot. In this slightly one or two, for the reader to think, please “summary” author criticism. One organization of a group of people who criticized and criticized a film and television work without a calm discussion and analysis in a divided manner was a serious criticism and a total denial. This can not help but think of Jiang Qing and her “minutes.” Why after the “Cultural Revolution” was completely negated, why did it still appear after the reform and opening up that there was still a long way to go after the great discussion of “two is common” and “the practice is the standard to test the truth?” Administrative orders wantonly destroy the weird phenomenon of literary and artistic creation, and hold a braid, a cap, and a stick on works that differ from one’s own viewpoint, and I think this can not but make the creator chill and shock the readers, which is really puzzling !