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自从受到中国传统文人画影响以来,元代画家的“隐”超越了中国历史上的任何一个朝代。“隐”就是隐居,隐匿,有道家思想中“出世”的概念。正因为这样,才有了元季四大家的成功,带给后世传统山水画带来不可磨灭的印记,后人仿元,无非是追求文人画的最高境界,“心境如一”“逸境如心”。
Since being influenced by the Chinese traditional literati painting, the “hidden” of Yuan Dynasty painters surpassed any dynasty in Chinese history. “Hidden ” is a seclusion, concealment, Taoism “born ” concept. Because of this, we have the success of the four seasons, bring an indelible mark to the later traditional landscape painting, descendants imitation, is nothing more than the pursuit of the highest level of literati painting, “state of mind” “ If the heart ”.