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宋代在中国陶瓷发展史上是一个百花齐放,名窑昌盛的时期,此时以青瓷为主流,其中官窑、越窑、汝窑、耀州窑以及景德镇烧制的瓷器为主要代表。青瓷中的耀州窑以其“巧如范金,精比琢玉”的做工及纹饰题材的丰富多变,不仅被誉为北方青瓷之首,在宋代同类瓷器中,可称之装饰之冠。因此,研究其动物纹样的艺术风格和美学特征最能反映出宋代时期的精神面貌及审美追求。本文以宋代耀州青瓷动物装饰纹样的特征为研究对象,通过对大量相关文献以及图片资料的收集、整理出宋代耀州青瓷动物纹饰主要题材、特征及表现手法,并从其产生的社会背景、文化背景、审美意识以及地方因素等相关角度对耀州青瓷的表现手法进行分析研究。
Song Dynasty in the history of the development of Chinese ceramics is a flourishing, well-known kilns period, this time to celadon as the mainstream, which Guanyao, Yue kiln, Ru kiln, Yaozhou kiln and Jingdezhen fired porcelain as the main representative. Celadon in Yaozhou its “clever as Fan Jin, Jing than the cut jade ” workmanship and decorative themes rich and varied, not only known as the first of the Northern Celadon, similar porcelain in the Song Dynasty, can be called decorative crown. Therefore, the artistic style and aesthetic characteristics of animal patterns can best reflect the spiritual appearance and aesthetic pursuit of the Song Dynasty. In this paper, the characteristics of animal decorative patterns of the celadon of Yaozhou in the Song Dynasty are studied. Through the collection of a large number of related documents and pictures, the main themes, characteristics and expressions of animal inscriptions of the YaoZhou celadon in the Song Dynasty are sorted out. The social background and cultural background , Aesthetic awareness and local factors such as the perspective of the performance of celadon Yaozhou analysis techniques.