本文以德国翻译学家科勒的翻译等值论为理论依据,选取德国文学家及作家托施笃姆的小说《茵梦湖》两中文译著为参照文本,主要从翻译等值论中的形式审美等值视角对这部著名诗意小说的两中文译本进行对比审视,浅析并探讨形式审美等值观点在翻译中,特别是在文学翻译过程中的指导功能和作用。 Based on the translation equivalence theory of the German translation scientist Kohler, this thesis selects two Chinese versions of the novel “Yin Meng Hu” by German writer and writer Tohshum as the reference texts, mainly from the form of translation equivalence theory Aesthetic equivalence perspective compares and contrasts the two Chinese versions of this famous poetic novel, analyzing and discussing the guiding function and role of formal aesthetic equivalence in translation, especially in literary translation.