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长篇小说始终代表着一个民族、一段历史的最高文学荣誉。20世纪90年代,中国长篇小说的湟湟巨流突然汹涌而至:1992年393部,1993年420部,1994年400部,1995年790部,1996年500多部。沉浸于庞大的数字中便很难冷静客观地检视得失、思考现状,梳理趋势。长篇小说虽在不断的横空出世中各见本色,却无法用成熟或精品这样的概念去溢美,已是人们的共识。但长篇小说这种奇异的变化仍然在带给文学丰富的同时,也带给我们许多有益的思
Novels always represent a nation, a history of the highest literary honor. In the 1990s, the huge stream of Chinese novels suddenly surged: 393 in 1992, 420 in 1993, 400 in 1994, 790 in 1995 and over 500 in 1996. Immersed in a huge number it is difficult to objectively examine the gains and losses, thinking about the status quo, sort out the trend. Although novels are born in the constant appearance of all qualities, but can not use the concept of mature or boutique to overflowing the United States, it is people’s consensus. However, this singular change in novels still brings rich literature while also bringing us many useful ideas