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作为一门科学学科的音乐民族学音乐学作为一门音乐的科学和独立的学科,在一百年前(1885)由音乐学家G·艾德勒以其著名的论著确立了音乐学研究的范围、方法和目的。艾德勒在文章中向我们介绍了一种系统的知识和一种广泛应用于艺术领域的方法,他以丰富的历史发展事实全面论证了自己所阐述的科学观点,其后的音乐学家和音乐民族学家的许多学者都在不同程度上承袭了这位音乐学先驱的“科学”观点。本世纪四十年代后期,金克尔第(Pinkeloly)亦阐述了音乐学作为一门科学的观点,同时将音乐民族学的前身比较音乐学视为音乐学的一门“分支学科”。几年后,杰普·孔斯特也就音乐民族学发展成为一门独立的学科作了类似的阐述
Music Ethnology as a Science Subject Musicology as a science and independent discipline of music was founded 100 years ago (1885) by musicologist G Adler in his famous work on the subject of musicology Scope, method and purpose. In the article, Adler introduced us to a systematic knowledge and a method widely used in the field of art. He fully demonstrated his scientific viewpoint with a wealth of historical facts. Later musicologists and Many of the music ethnographers, to varying degrees, inherit the “scientific” view of the musicologist. In the late 1940s, Pinkeloly also described the notion of musicology as a science while at the same time viewing comparative musicology, the predecessor of music ethnology, as a “branch of musicology.” A few years later, Jeppe Chunt also made a similar account of the development of musical ethnology as an independent discipline