整整一百年前,即十九世纪末,二十世纪初,康有为的《广艺舟双楫》在神州书坛上刮起了有清以来最为强大的碑学之风。他在清代三百多年的书法创作实践的基础之上,总结阮元、包世臣的碑学书法观,提出了最为鲜明、完整、有力的‘尊碑’书法思 A hundred years ago, at the end of the nineteenth century and the beginning of the twentieth century, Kang Youwei’s “Double Boat Art of Guangyi” drew the most powerful style of tablet study ever since the Qing Dynasty. On the basis of more than 300 years of calligraphy practice in the Qing Dynasty, he summed up the calligraphy concepts of Ruan Yuan and Bao Shichen and put forward the most vivid, complete and powerful Calligraphy