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著名作曲家乔治-埃内斯库(1881-1955)所创作的小号作品《传奇》,被认为是一首很深的程度上受到印象主义影响的后浪漫主义作品。初次接触《传奇》这首乐曲时,给我的感觉有些手足无措,小号演奏部分看上去非常的复杂而充满了技巧性,谱面上诸多让人感到生涩的法语音乐术语,钢琴伴奏部分异常的稠密,给人以天马行空的感觉。许多演奏者对该曲的演奏效果不佳。从该曲的演奏和学习角度来讲,只有深入地学习乐谱中所有的术语,才能真正的了解该曲,同时才能通过演奏将它的精髓准确而清晰的呈现出来。《传奇》在一个非常基础的和声构建上进行了许多稠密而复杂的谱曲,同时又加入了大量和谐与不和谐的声音色彩。并不完全受到后浪漫主义和印象主义的影响,《传奇》由它自身的速度和特点分成了几个部分,这些部分让音乐产生了自由流动、狂想曲般的主题风格。在和声方面,对《传奇》的分析可谓是一个挑战,在此曲的一些部分中,完全无法以印象主义和声技巧来进行分析。其中的和弦并不能简单的以他们的作用来进行分析,而是必须对每一个部分进行必要的情景研究。《传奇》经典也将成为小号独奏曲目中一朵永不凋零的奇花。
The legend “, the trumpet work by famous composer George Enescu (1881-1955), is considered to be a post-romanticism deeply impressed by Impressionism. When I first touched the song ”Legend“, I felt a little overwhelmed. The trumpet playing part looked very complicated and full of skill. Many of the jazzy French music terms on the surface and the piano accompaniment part were abnormal Dense, giving people an abstract feeling. Many performers play poorly on the song. From the point of view of performance and learning of the song, only by thoroughly studying all the terms in the score can the song be truly understood, and at the same time its essence can be accurately and clearly presented through playing. Legends performed many dense and complex compositions on a very basic harmonic construction, adding a great deal of harmony and discordance. Not entirely influenced by post-romanticism and Impressionism, Legends is divided into sections by its own speed and features that give the music a free-flowing, Rhapsody-like theme. In harmony, the analysis of ”legends“ can be a challenge, and in some parts of the song it is completely impossible to analyze it in terms of impressionist vocal techniques. The chords in them can not simply be analyzed by their function, but the necessary scenario studies must be made on each part. ”Legend" classic will also become a trumpet solo track never withered flowers.