中西方分别在20世纪90年代和80年代提出并实践文化诗学,也在随后遭遇来自两方面的批评。一种批评来自坚守在文学界限之内者,他们批评文化诗学以文化置换文学,导致了批评对象的泛化和诗意性的模糊,甚至破坏了文化精神和文化秩序。一种批评指责文化诗学依然固守在文化精英意识形态中,无视当代诸多文化现象和文化问题,缺乏文化民主精神。(1)这两种批评固然可以提醒文化诗学要注 Both Western and Chinese proposed and practiced cultural poetics in the 1990s and the 1980s, respectively, followed by criticism from both sides. One criticism comes from those who stick to the limits of literature. They criticize the cultural poetics to replace the literature with the culture, which leads to the generalization and poetic ambiguity of the critics. It even undermines the cultural spirits and cultural order. A criticism criticizes that cultural poetics still sticks to the ideology of cultural elites, ignores many contemporary cultural phenomena and cultural issues, and lacks the spirit of cultural democracy. (1) Both critics certainly remind cultural poetics to note