论文部分内容阅读
李建中是宋初书坛盟主,是五代书法向宋代书法过渡的关键人物,也是巴蜀书法奉献给宋代的第一位大家,其创作与人品影响深远,贯穿两宋三百佘年。从两宋对李建中书法艺术的评论来看,北宋书论从早期的追慕前人到中后期的创新之说,以意韵、积学、禅宗意见论书,再发展到书品与人品相统一的南宋阶段,体现了从发展、成熟到保守的阶段性与鲜明的文人书论、帖学书论的特点,这与整个宋代书法及其理论发展、变化的阶段特点是一致的。
Li Jianzhong, the head of the Song Dynasty, was the key figure in the calligraphy transition to the Song Dynasty from the Five Dynasties calligraphy. It was also the first person devoted to calligraphy by the Bashu calligraphy in the Song Dynasty. His creation and character influenced far and wide the two hundred Song Shenshan years. Judging from the two Song comments on Li Jianzhong’s calligraphic art, Northern Song Dynasty’s calligraphy theory goes from the earliest pursuit of innovation to the later period. With the comments of Yi Yun, Ji Xue and Zen, and then to the book and character phase The unified stage of the Southern Song Dynasty embodies the characteristics of the staged and distinctive scholarly commentaries and calligraphy scholarly books from development, maturity, to conservativeness. This is consistent with the stages of the development and changes of calligraphy and its theory throughout the Song Dynasty.