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我怀着极大的兴趣拿起了雷吉娜·斯门江卡的这本书,它的封面本身就给人好感。“如何演奏肖邦?”这是我们大家人人都提的问题。我们都迷恋于肖邦那丰富的音乐,但又不在遇到一些秘密,而我们只能解开其中很小的部分。不管我们从什么角度来看这一音乐,总能看到其完美、深刻、纯洁的美。面对这些,我们感到某种胆怯,这种胆怯出自一种意识,即我们与之打交道的是一种理想,一切想用语言来描述这种理想的尝试都十分困难,因为语言存在着局限。
With great interest, I picked up Regina Simenka’s book, and the cover itself gave me a good impression. “How to play Chopin?” This is a question all of us ask. We are all obsessed with Chopin’s rich music, but we are not confronted with some secrets, and we can only untie a small part of it. No matter what angle we look at this music, we can always see its perfect, profound and pure beauty. In the face of these, we feel a sense of cowardice, which comes from the sense that what we deal with is an ideal, and every attempt at language to describe such an ideal is very difficult because of language limitations.