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本文通过意大利文艺复兴时期牧歌的发展与绘画作品的跨界论述比较,反映出当时社会思潮的审美诉求以及社会精英阶层的心理需求。在摆脱了漫长中世纪宗教艺术形式的束缚之后,世俗音乐(牧歌)与科学精神指导的绘画作品,共同折射出历史发展中人性自我解放与自我认同的光辉。
The article compares the development of Italian pastoral songs with the cross-border narration of paintings, which reflects the aesthetic appeal of the social thoughts and the psychological needs of the social elites. After getting rid of the shackles of the long medieval religious art forms, the paintings of secular music (pastoral songs) and scientific spirit guide together to reflect the gloriousness of human liberation and self-identification of human nature in historical development.