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艺术主张易人先生认为,人写字,每一局部,每一瞬间,都是独特的思维与动作,书者应把这种独特性融入时空变迁和生命从无到有,再归于无的序列。在观察与表述时,笔下的线条即是心灵的回应,也是对自然界和人文世界的思索。诗入是通过瞬间的感情悸动,使心灵与客观世界交汇,从而使心灵趋于宽容和深刻。启功先生论诗有云:“唐以前诗是长出来者,唐诗是嚷出来者,唐以后诗是仿出来者。”由此可见,“长出来者”自然,“嚷出来者”牵强,“仿出来者”失真1人与自然应是有机的融合,而不是牵强附会。书法需有诗性思维,即形象思维,它既是理性的,又是感性的,是具体的,又是朦胧的,书法创作与解决世俗问题不同,它是在一
Art advocates Mr. Yi Ren believes that people write, every part, every moment, are unique thinking and action, the book should be the uniqueness of this time and place into the vicissitudes of life and life from scratch, and then back to no sequence. In the observation and expression, the line is the mind’s response, but also on the natural world and humanistic thinking. Poetry is through the throbbing moment of emotion, the soul and the objective world intersection, so that the soul tends to be tolerant and profound. Mr. Qigong wrote about the poem: “Before the Tang Dynasty poetry was born, Tang shouts out, after the Tang poetry is imitation.” Thus, “grow out ” nature Out of people “far-fetched, ” Imitation out "Distortion 1 people and nature should be organic integration, rather than far-fetched. Calligraphy needs a poetic thinking, that is, image thinking, which is both rational and emotional, specific, and obscure. Calligraphy is different from solving the secular problem in that it