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北京友人及国博副馆长陈履生为余热心在国博定书法个展档期,不可却,遂有此学艺展。余在大学美术系二年级(一九五六年)后,即决心以中国书画创作为职志。不十年,一九六五年,因缘际会入台北故宫,遂以研究及鉴定为主,画、刻皆辍,唯书法陆续为之。一九七七年台北历史博物馆陈馆长癸淼请展书法,一九九四年自美返台后,台北市立美术馆黄馆长光男兄请展,黄兄接掌历史博物馆时又请展,皆以无
Chen Lishou, a Beijing friend and vice curator of the State Council, spares no time in his solo exhibition at Guowu. After I graduated from the second year of the Fine Arts Department of the University (1956), I was determined to work for the Chinese painting and calligraphy creation. Not ten years, in 1965, due to the reason will enter the Forbidden City in Taipei, then to research and appraisal based, painting, carved ceaselessly, only calligraphy one after another. In 1977, Chen Miao, director of the Museum of History in Taipei, invited the calligraphy exhibition. After returning to the United States in 1994, Taipei Art Museum Huang curator Guangguang brother invited the exhibition. When Huang Xiong took over the Museum of History, he invited the exhibition again , All without