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虽然,我亲历了最近十几年汉语诗歌的历史,十年后,最初的兴奋却已被一种反思替代。我们这一代人的写作是在八十年代诗歌尤其是九十年代诗歌的基础上展开的。八十年代诗歌疯狂地跃入形式主义的漩涡。而九十年代诗歌提倡的叙事性、日常性、本土性又试图让诗歌从形式的自我流放中走出来,向生活、现实开放自身。不过,开放的同时又是对诗歌自觉性的加强,这是臧棣所谓的“一种作为写作的诗歌”。
Although I have witnessed the history of Chinese poetry in the past ten years or so, the initial excitement has been replaced by a reflection after 10 years. The writing of our generation is based on the poetry of the 1980s, especially the poetry of the 1990s. Eighties poetry crazy jump into the whirlpool of formalism. However, the narrative, daily and native nature advocated by the poems in 1990s also tried to make poetry go out from the form of self-exile and open itself to life and reality. However, at the same time, it is also a conscious effort to strengthen poetry. This is Zang Di’s so-called “poetry as a writing.”