明确中国现代漆画的界定已经成为现代中国漆画继续向前健康发展的首要问题。这一问题不予解决,漆画、合成材料绘画、含漆的综合绘画统称为漆画的局面继续维持,不仅与形成这一画种的初衷相违,更重要的是不利于这一在中国积淀极深,有着悠久历史传统的画种在教学、创作和科研等方面工作的开展,不利于逐渐完善这一画种的独立品格。 漆画和其他画种一样,是以它采用的表现媒体来命名的,这媒体即是天然大漆。但是,由于漆字在现代中国文字中包含着多种物质,其中包含了这个字的原意,即几千年来它所表示的从漆树韧皮部流出的如琥珀色的浆液。同时,它还代表着清漆、聚酯漆、醇酸漆等等合成物质,也代表着腰果漆、合成大漆这些天然材料为主,由人工合成的涂料。文字上的这种状况是造成了漆画界定的不明的一个原因,多数人 Clarifying the definition of modern Chinese lacquer painting has become the most important issue for the modern Chinese lacquer painting to continue its healthy development forward. This problem can not be solved. The situation of lacquer painting, synthetic material painting and lacquer-containing comprehensive painting collectively referred to as lacquer painting is not only contrary to the original intention of forming this kind of painting, but more importantly not conducive to this situation in China The accumulation of deep, have a long history of traditional painting in teaching, creative and scientific research work is not conducive to gradually improve the independent character of this painting. Lacquer painting, like other paintings, is named after the medium of expression it uses, which is a natural lacquer. However, since lacquer contains a variety of materials in modern Chinese writing, it contains the original meaning of the word, which for thousands of years it represents as an amber slurry flowing from the phloem of lacquer trees. At the same time, it also represents varnishes, polyester lacquers, alkyd lacquers and other synthetic substances, but also represents the cashew paint, synthetic lacquer these natural materials, mainly from synthetic coatings. This condition on the writing is one of the reasons that led to the unknown definition of lacquer, most people