永远的戏剧性——读《贬官记》

来源 :福建艺术 | 被引量 : 0次 | 上传用户:G715893600
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由于新时期特殊的时代原因,戏曲创作总体上说文学性的要求大于舞台性,主题、人物的思想性诉求黯淡了戏剧性、戏曲性,创作的主体化、个体化消解了戏剧、戏曲的形式与技巧的意识。戏曲的发展,内在地由民间性向知识分子性倾斜。这自有时代的合理性和它继续发展的前景,但许多人又感叹新时期以来的新创剧目汗牛充栋,能在舞台上留下来的实在不多。《贬官记》自1987年在福建省戏剧会演获奖后,就不断在农村演出赚钱,也不断地为戏剧界忆起:1992年获文化部“天下第一团”会演(南方片)优秀奖;1997年获“文华”奖、“五个一工程”奖; Because of the special era of the new era, the creation of drama generally lags behind the stage of the literary requirements, the ideological appeal of the subject and the characters dims the subjectivity of drama, drama and creation, and individualizes the forms and techniques of drama and drama Consciousness. The development of opera, inherently tilted from the folk to the intellectual. This is the rationale for its own time and the prospect of its continued development. However, many people also lament the incredible success of the newly created repertoire since the new period and the fact that it has remained on the stage. After being awarded a prize in the Fujian Provincial Theater Theater in 1987, Demoted Officials continued to make money in the rural areas and kept remembered for the drama industry. In 1992, he was awarded the title of “The First Corps of the World” (Southern Film Festival) Award; “Wenhua” award in 1997, “five one project” award;
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