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亚历山德罗·斯卡拉蒂(Alessandro Scarlatti,1660-1725)作为意大利那波里乐派的代表人物,将巴洛克初期诞生于弗罗伦萨的“正歌剧”发展到一个高峰。斯卡拉蒂歌剧中那种富于歌唱性、装饰性、炫技性的旋律,作为一种具有意大利民族特色的音乐语汇,也伴随着“正歌剧”在欧洲国家的发展,逐渐成为一种国际化的语言。其实,这种注重歌唱性、装饰性、炫技性的意大利音乐语汇,不但影响着歌剧音乐创作,
Alessandro Scarlatti (1660-1725), as the representative of Napoleonic school in Italy, developed Baroque’s “Orthodox Opera”, which was originally born in Florence, to a peak. The kind of melodic, decorative and dazzling melody in Scarlatti’s opera, as a kind of musical vocabulary with Italian national characteristics, is accompanied by the development of “positive opera” in European countries and gradually becomes one An international language. In fact, this emphasis on singing, decorative, Hyun technical Italian music vocabulary, not only affects the opera music creation,