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在艺术领域中,艺术通感的基本原则在于对某个感官进行刺激,在此基础上调动与之有关的其他感官,进而产生通感反应。由此可见,艺术通感结合了多感官,产生艺术通感的基本前提在于调动艺术家本身的能动性,对于艺术方式进行适当运用。对于钢琴演奏而言,艺术通感是不可缺少的,日常教学只有充分调动了艺术通感,才能帮助学生真正感知钢琴演奏的关键点,从而在多感官密切配合的前提下提升演奏效果。为此,对于钢琴演奏及其教学,有必要明确艺术通感的特征及其内容,结合教学现状,探求引发艺术通感的具体方式。
In the field of art, the basic principle of artistic synaesthesia consists in stimulating a certain sensory organism, on the basis of which it mobilizes the other senses associated with it, which in turn leads to an apathetic reaction. It can be seen from this that art synaesthesia combines multiple senses, and the basic prerequisite for creating art synaesthesia is to mobilize the artist’s initiative and make appropriate use of artistic methods. For piano performance, artistic synaesthesia is indispensable. Everyday teaching can only help the students to perceive the key points of the piano performance by fully mobilizing the artistic synaesthesia so as to improve the performance under the close cooperation of multiple senses. Therefore, it is necessary for the piano playing and teaching to clarify the characteristics and contents of artistic synaesthesia, and to explore the specific ways of arousing artistic synaesthesia based on the current situation of teaching.