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李龙云,李杰,一个儒雅的京华书生,一个桀骜的关东之子,一个以密缜隽永的笔调描绘圆明园遗迹、小井胡同风云;一个则以冷峻犀利的目光穿透“绵亘久远的青纱帐”,从喧嚣的紫禁城到荒陌的白城,两人相去逾千里,题材风格两相异,但在他们的近作《洒满月光的荒原》及《古塔街》中,却表现在观照视点、艺术旨趣、思维方式上的惊人暗合。当代两位最有个性的话剧作家正悄悄地走到一起。分析一下他们两位在创作上的诸多相同与不同,相信对于了解当代中国剧作家的艺术探索足迹、心路历程不会没有意义。
Li Longyun, Li Jie, a refined Jinghua scholar, a shy son of the Kanto, depicts the relics of the Yuanmingyuan Park and the alley of the Xiaoyuan in a densely inscribable and elaborate tone, while the other is penetrating the long-lived Qingqian Zhang with stern and sharp eyes. From the noisy din Of the Forbidden City to the barren area of Baicheng, the two more than a thousand miles, the theme of two different styles, but in their recent “Moonlight Wasteland” and “Guta Street”, but in the observation point of view, artistic interest, thinking Amazing way on the way. Two of the most contemporary contemporary writers are quietly coming together. Analysis of the two of them in the creation of many the same and different, I believe that for understanding the contemporary Chinese dramatist’s artistic exploration footprint, the mentality of the journey will not be meaningless.