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曾声称“要给21世纪的观众拍片”的田壮壮居然俯就拍了这么一部颇为耐看的歌舞片《摇滚青年》,有人说这是“金钱效应”、“娱乐效应”。不管怎么说,这都不失为一种明智的选择。然而,总体类型上的明智选择仍然无法掩盖内容的苍白与导演思维的拘谨,这却是田壮壮始料未及的。看得出,《摇滚青年》以现代最为流行的霹雳舞为艺术载体,或者作为表现当代青年的生命个性、情绪心态、精神风貌的符号,力图使舞蹈服务于整个故事情节,成为人物性格发展和故事情节演进的契机和手段,这对好莱坞歌舞类型片既是模仿也是超越。人
Tian Zhuangzhuang, once claiming to “make a film for the audience in the 21st century,” actually took such a rather tolerant song and dance “Rock and Roll Youth”, someone said it was “money effect” or “entertainment effect.” Anyway, this is a wise choice. However, the wise choice of the overall type still can not hide the pale of the content and the cautiousness of the director’s thinking, which is unexpectedly strong. It can be seen that the “rock and roll youth” takes the modern most popular break dance as the art carrier or as the symbol of the contemporary youth’s life personality, sentiment and spirit, trying hard to make the dance serve the whole story and become the character’s development The plot of the story of the opportunities and means of evolution, which Hollywood song and dance genre is both imitation and beyond. people