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本文从鼓身与鼓面纹样、鼓面内壁纹样及立体装饰等三个方面,对故宫博物院藏铜鼓的纹饰作了简要梳理。并指出,故宫藏麻江型铜鼓鼓面内壁纹样取代前期铜鼓的校音痕迹,是铸造工艺进步的标志。同时,鼓面内壁纹样显示的中原汉文化内容表明,中原地区与南方少数民族地区的交往日趋密切,民族融合和共同进步是不可抗拒的历史潮流。
This article briefly reviews the ornamentation of bronze drums in the Palace Museum from three aspects: the style of the drum body and the drumhead, the pattern of the inner surface of the drumhead and the three-dimensional decoration. And pointed out that the National Palace Museum, Ma Ma Jiang-type copper drums drum wall surface pattern replaces the previous drum marks of the school phonetic, casting process is a sign of progress. At the same time, the contents of the Central Plains Han culture displayed by the pattern of the inner walls of the drums show that the contacts between the Central Plains and the ethnic minorities in the south are getting closer and closer. The national integration and common progress are irresistible historical trends.