本尊为结禅定印趺坐的白色膏泥佛陀像。该佛像保存基本完好,根据佛的大小,推测该造像应该有一个50cm左右高度的莲花座。石膏技法是公元2世纪后半叶至3世纪初期自罗马传到犍陀罗的一种技术手段,此手法尤其在阿富汗的哈达以及巴基斯坦的塔克希拉地区尤为兴盛。有观点认为犍陀罗并不出产优质石材,因此利用石膏来代替石材是该技艺流传的原因。不过犍陀罗地区也有石质雕刻出土,由于石膏的优良特性使得犍陀 Deity for the Zen meditation 趺 sit white plaster Buddha statue. According to the size of the Buddha, it is presumed that the statue should have a lotus seat of about 50cm in height. Gypsum technique is a technique from Rome to Gandhara during the second half of the second half of the second century and from the beginning of the third century. This technique is especially flourishing in Hatta in Afghanistan and Takkila in Pakistan. The view that Gandhara does not produce high-quality stone, so the use of gypsum to replace the stone is the reason of the art spread. However, Gandhara areas are also unearthed carved stone, gypsum due to the excellent features make Gaduo