中西美术史,一开始的审美标准,大家差不多的。画画最高档的是人物题材,那里面细分的话,两类,一个叫历史,大场面;一个叫宗教,也是大场面。基督在十字架上一绑,绑上去肯定是需要很多群众演员,取下来也需要很多;还有些老面孔,例如圣母玛利亚,改邪归正的抹大拉之类,人物一多,处理起来肯定需要加倍的技巧,也吃功夫。在中国,宗教不是那么重要的东西,所以我们把人物画里 Chinese and Western art history, the aesthetic standards of the beginning, everyone is similar. Painting the most upscale is the subject matter, there are two subdivisions, a history, a large scene; a religion, but also a big scene. Christ bound on the cross, bound to be sure to need a lot of extras, take it down a lot; some old faces, such as the Virgin Mary, repented of the Magdalene and the like, more than one person, it is certainly necessary to deal with doubling The skills, but also eat kung fu. In China, religion is not so important, so we paint the characters