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8月7日,中国戏剧家协会、中国美术家协会、中国戏曲研究院联合召开了戏曲舞台美术工作座談会。座談会由田汉同志主持,他在講話中指出:去年通过反右派斗争的胜利,純潔了我們舞台美术工作的队伍。右派分子赵森林、李暢等曾企图把舞台美术工作引向資本主义的道路;反右派斗爭后,舞台美术工作已經走向正确的道路。但是,舞台美术工作,还存在着两条道路两条路线的斗争,这就是資产阶級美学思想和馬列主义美学思想的斗爭,少慢差費和多快好省的斗爭。他說,既要反对舞台美术中的鋪张浪費、炫耀奢华和单純卖弄技术的現象,也要反对过于簡陋、
On August 7, the Chinese Dramatists Association, the Chinese Artists Association, and the Chinese Opera Academy jointly held a forum on the stage art of opera troupes. The symposium was chaired by Comrade Tian Han. In his speech, he pointed out: Through the triumph of the anti-Rightist struggle last year, it has purified the ranks of our stage art work. The rightists Zhao Senlin and Li Chang had attempted to lead the stage art work to the path of capitalism. After the anti-Rightist struggle, the stage art work has moved to the right path. However, the stage art work still has the struggle of two routes on two roads. This is the struggle between the bourgeois aesthetic ideas and the Marxist-Leninist aesthetic ideas, with less fees and more troubled provinces. He said that it is necessary to oppose the extravagance and waste in the stage art, to show off the phenomenon of luxury and to show off technology alone, and to oppose too simplistic,