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我国传统的游记散文,向来是以短小精炼、情景交融为其重要特征的。而苏轼的《记承天寺夜游》一文,其篇幅之短达到惊人的程度。全篇总共有八十三个字,作者以极简洁的文笔,把叙事、绘景、抒情巧妙地结合起来,勾勒出一幅优美动人的月夜客游图。且看——元丰六年十月十二日,夜,解衣欲睡,月色入户,欣然起行。念无与乐者,遂至承天寺,寻张怀民。怀民亦未寝,相与步于中庭。庭中如积水空明。水中藻荇交横,盖竹柏影也。何夜无月?何处无竹柏?但少闲人如吾两人耳! 这是苏轼与友人张怀民夜游承天寺的小记。张怀民,苏轼的朋友,名梦德。苏轼因反对王安
China’s traditional travel prose has always been characterized by short refining and blending of scenes. And Su Shi’s “King Cheng Temple Night Tour” article, its length is astonishing. The whole article has a total of eighty-three words. The author uses a very concise writing style to skillfully combine narrative, painting, and lyricism to outline a beautiful moving moonlight night out map. And look at - Yuanfeng October 12, 6th, night, sleepy clothes, moonlight home, gladly started. Those who have no pleasure in reading and chanting to Chengtian Temple find Zhang Huaimin. Huai Min also failed to speak, step and step in the atrium. There is no water in the court. Algae cross in the water, cover bamboo and shadow also. There are no moons and nights, but there are no bamboo groves, but there are few idlers such as my two ears! This is a small note of Su Shi and his friend Zhang Huaimin at night. Zhang Huaimin, a friend of Su Shi, Ming Mengde. Su Yun is against Wang An