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一直以来,我国民族声乐艺术在演唱方法、表演风格、审美取向等方面都倍受争论,焦点都集中在“土洋之争”“千人一面”上。央视2013年第十五届青歌赛中新赛制的推出,尤其是民族唱法中规定选手演唱“地方民歌”的环节,更是显示了我国民族声乐艺术的审美趋向回归。本文通过对民族声乐在历史长河中审美取向不断变化的回顾及结合对本次大赛民族唱法中从赛制的规定、选手的表现和评委的点评作为研究内容,旨在挖掘当前我国民族声乐艺术的发展趋向,并得出中国的民族声乐艺术必须扎根本土,才能真正走向世界的科学定论。
All along, the art of our national vocal music has been widely debated in terms of singing methods, performance style, aesthetic orientation, etc., with the focus on the struggle between the soil and the sea and the people side. The introduction of the new competition system of the 15th Youth Song Contest in 2013 in CCTV, especially the process of stipulating the players singing “Local Folk Songs” in the national singing style shows the return of the aesthetic trend of our country’s national vocal music art. Based on the review of the ever-changing aesthetic orientation of national vocal music in its long history and the combination of the rules and regulations of the competition, the performance of athletes and the comments of the judges in the national singing competition, this paper attempts to explore the current development of our national vocal music art And draws the conclusion that the art of Chinese national vocal music must take root in the local community before it can truly go global.