寥奔、叶长海在《文汇报》上撰文指出,从80年代提出并沿用至今的所谓梅兰芳、斯坦尼斯拉夫斯基、布莱希特“世界三大戏剧体系说”有误。撇开“三大戏剧体系”这一概念是否具有广泛的代表性不谈,即使是这一概念本身所涵括的三种“体系”彼此也没 In his article published in Wen Wei Po, Ye Changhai pointed out that the so-called Mei Lanfang, Stanislavski and Brecht, who put forward and used them so far since the 1980s, are wrong in saying that “the world’s three major theater systems” are quite different. Regardless of whether the concept of the “three major theater systems” is broadly representative, even the three “systems” covered by the concept itself do not