《渔樵问答》、《鸥鹭忘机》等,有着情感浓淡之区别,其音响特征,却往往令倾听者感到,表情再浓郁的琴曲,也似一位历尽沧桑的老者之抒情虽还有心绪波澜,却己不醉、不狂、不躁,超然俯视而己,哲思、体味多于激越宣泄。古琴音响的个性特征与中国文人超越精神的代表思想老庄学说,亦即道家学说,恰相吻合。道学观念与儒学积极参政、进取的入世态度背道而驰,主张去除欲念,“求道之法静为根,久久自静,万道俱出,长存不死,与天相毕。俗念除去,与神交结,乘云驾龙,雷公同室,躯化而为神,状若太一。”(《太平经合校》),倡扬“不食五谷,吸风饮露,乘云气,御飞龙,而游乎四海之外。”(《庄子·逍遥游》)的自由情致。老庄希图在虚无与空灵的冥思中达到无边无涯、无古无今的自由驰骋,实则是将时空精神化的伟大过程。寄意大自然的山水画与玩味抽象的书法艺术 “Fishing Qiao Q & A”, “Gull forgetting machine” and so on, with the difference between emotional shades, the sound characteristics, but often make the listener feel, and then look strong piano music, but also like a vicissitudes of the old lyrical though there Mood waves, but they are not drunk, not mad, impatient, detached overlooked, philosophical, more than exasperate body odor. Guqin sound personality traits and Chinese literati surpassing the spirit of the representative of Lao Zhuang said that Taoism is exactly the same. Confucianism and Confucianism actively participate in politics, aggressive approach to go counter-nationalism, advocating the removal of desires, “seeking the law of silence for the root, a long time since the static, all over the world, surviving, and the end of the day. Cross the end, take the cloud drive the dragon, Lei Gong room, body and God, like a too. ”(“ The Strait of Confucius and Mencius ”), advocating “ do not eat grain, sucking wind, While traveling beyond universal borders. ”(“ Chuang Tzu ”). Lao Zhuang Xi in the nothingness and ethereal meditation to reach boundless, free from the present free ride, but in fact it is the great process of spirits of time and space. Intention of nature’s landscape painting and pondering abstract calligraphy