本文尝试去理解文徵明存世作品中颇为奇特的《湘君湘夫人图》。通过对文徵明题跋的细读,力求为画面的形象找到来源。本文认为,一方面,文徵明通过参考传世的《洛神赋图》构造出二湘的形象,另一方面,文徵明也借助于对唐宋绘画文献的理解来精心处理画面的细节。这些努力都基于他对“古意”的认识和理解。正是由于当时围绕“古意”产生的种种竞争,才促发了文徵明尝试以新的方式来表明自己的态度。 This article attempts to understand the rather strange “Xiang Jun Xiang lady map” in Wen Zhengming’s extinct works. Through the essay of Wen Zhengming inscriptions, and strive to find the source image of the screen. This paper argues that on the one hand, Wen Zhengming constructs the image of Erh-hua by reference to the handed down “God-given figure”. On the other hand, Wen Zheng-ming also elaborated the details of the picture with the aid of his understanding of the Tang and Song dynasties. These efforts are based on his understanding and understanding of “ancient meaning.” It was precisely because of the various competitions around the “ancient meaning” that prompted Wen Zhengming to try his best to show his attitude in a new way.