一从宏观的层面上讲,戏曲艺术的发展有两个不能忽视的问题。一是好戏必须流行,不能小众化、圈子化、雅座化,把艺术质量一般的戏炒做成“好”戏。而应大众化、开放化、普通化,让真金(好戏)拿到火里(观众中)去炼。好戏必须在空气中流通,不能在真空的实验室里由几个科研人员呵护生存。搞研究可以如此,搞创作这样不行。二是要重视戏曲原创工作。这是我要谈的主要问题。所谓原创,顾名思义,即指原始创作。它是具有戏曲艺术创作发明专利权的,具有独立的知识产权的创作。实际上,我们任意抽取在戏曲舞台上演 At the macro level, there are two problems that can not be ignored in the development of traditional opera. First, good shows must be popular, not popular, circle, elegant, the quality of the general art of drama made “good” drama. But should be popular, open, normalized, so that real gold (good show) get the fire (the audience) to refining. Good show must circulate in the air, can not be in the vacuum laboratory by several researchers care for survival. Engage in research can be so, engage in creative this not work. Second, we must pay attention to the original opera work. This is the main question I want to talk about. The so-called original, as the name suggests, refers to the original creation. It is the creation of a drama with the creative arts patent, with independent intellectual property creation. In fact, we randomly draw on the stage of the opera