明代中叶是我国古代戏曲史上继元代杂剧繁荣以来的又一个黄金时期。戏曲创作与戏曲演出的繁荣,也促进了戏曲理论的发展。在这一时期里,不仅出现了众多的戏曲论著,而且戏曲理论家们已开始自觉地来探讨戏曲本身的艺术规律,研究的方法、范围都 The middle of the Ming Dynasty was another golden period since the prosperity of Yuan Dynasty in the history of ancient Chinese opera. The prosperity of opera creation and opera performance also promoted the development of opera theory. During this period, not only many theatrical works have appeared, but also the theatrical theorists have begun to consciously explore the artistic laws of the opera itself, the methods and scope of the study