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时运交移,一时代有一时代的文学观念。长期以来,人们一直认为以汉赋为代表的深覆典雅、铺彩文就是中国赋文学的标识。除此,别的赋文学样式似乎只是雪泥鸿爪,无迹可寻;而“赋”与“俗”更是不相关连。20世纪初大漠深处敦煌的机缘使得一种赋体作品带着满身尘土现身,它有着讲故事?
Fortunes shift, a contemporary literary concept. For a long time, people always think that the Han Fu as the representative of the deep over the elegant, shop color text is the identification of Chinese Fu literature. Apart from this, other literary styles seem to be nothing but traceable; while “Fu” and “vulgar” are even more irrelevant. The dawn of the 20th century, the depths of the Dunhuang machine makes an assignment with dust covered the body appeared, it has a story?