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张庚先生(1911—2003)是我国20世纪最为著名的戏剧理论家。他的一生与整个20世纪中国的戏剧、戏曲事业紧密联系在一起。通观张庚的一生,他青年时期即接受了“五四”新文化运动的洗礼,从研究话剧开始,逐渐关注秧歌剧、新歌剧,在探索中国新戏剧形式的道路上进行了许多伟大的探索与实践。他总结新歌剧的成败得失,努力为中国戏剧找到一条崭新的形式和道路。在这个过程中,他又对中国本土
Mr. Zhang Geng (1911-2003) is the most famous drama theorist in China in the 20th century. His life is closely linked with the drama and drama in China in the 20th century. Throughout his life, Zhang Geng received the baptism of the “May Fourth” New Culture Movement in his youth. From the beginning of the study of drama, he gradually paid attention to Yangko and New Operas and conducted many great explorations on the road to exploring new forms of Chinese drama Exploration and practice. He summed up the successes and failures of the new opera and worked hard to find a brand new form and path for Chinese drama. In this process, he again on the Chinese mainland