论文部分内容阅读
最近,在北京大学和中央美术学院连续举办了以汉斯·贝尔廷、阿克曼、叶朗、潘公凯等人为对话的讲座,对“艺术的现代性”、“艺术的中国性”、“艺术史的终结”等相关问题的讨论在艺术界产生了重要的影响。在讨论中,德国著名艺术史家汉斯·贝尔廷“艺术史终结”论源于对艺术史学科所传达的线性、进步地艺术史观和其具有的普世性特点的怀疑,丹托的“艺术终结”是指传统艺术的终结,而在全球化的当下,艺术和艺术史走到了关键点,具有更多可能性。贝尔廷教授认为没有人当真想
Recently, Peking University and the Central Academy of Fine Arts held a series of lectures directed by Hans Belting, Ackerman, Yelang, Pan Gongkai and others on “Modernity of Art”, “Chineseness of Art ”,“ The end of art history ”and other related issues have had a significant impact in the art world. In the discussion, the famous German art historian Hans Belting “theory of the end of art ” theory stems from the linear, progressive art history viewpoints conveyed by the art historiography and its universality suspicion, Danto “End of Art ” refers to the end of traditional art, and in the present era of globalization, the art and art history has come to the key point with more possibilities. Professor Bertin does not think anyone really wants