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如今,公众正呼唤着博物馆用新的方式去诠释藏品,以便与它们所服务的公众建立一种新的联系。过去,博物馆在获取或“夺取”到人工藏品时,就会让藏品尽快融入到一个新的社会秩序中去,以符合它们的统治者,即收藏家或博物馆馆长强加给它们的一套新的价值观念(Edwards et al,2006)。而现在,博物馆开始向新观众群伸出了橄榄枝,与地区群体互动接触,与源社区再次进行沟通交流,以使它们的展览更具交互性,并且还改变了确立已久的权力机构与权威人士之间的关系(Karp and Kratz,2012)。在这篇文章中,我们将会对穆塔雷博物馆沿用殖民主义方法收集藏品的历史进行研究,并为社区群体
Nowadays, the public is calling for museums to interpret collections in new ways so as to establish a new connection with the public they serve. In the past, museums, when procured or “seized” their artificially managed collections, promptly incorporated the collections into a new social order to meet the needs of their rulers, collectors or curators of museums Set new values (Edwards et al, 2006). Now, the museum has begun to reach out to new audiences with an olive branch, interacting with the local communities and once again communicating with the source community to make their exhibits more interactive and change the established authority and authority Relationship between people (Karp and Kratz, 2012). In this article, we will study the history of the Museare Museum’s colonial collection of collections and conduct a survey of community groups