诗歌不但是审美的,而且是社会的,所以,诗人的心理环境在某种程度上即是文化政治的副本。虽然是“自白派”的中坚力量,但作为一位有着强烈性别意识和政治意识的女诗人,西尔维亚·普拉斯敏锐地把握住了美国20世纪五六十年代的政治环境和社会环境,并将其融会到诗歌语言中。在其诗歌作品中,身份政治、性别政治及生态政治话语的介入使“自白诗”貌似私人化的写作具有了模糊公私空间界限、揭示病态社会的积极价值和意义。 Poetry is not only aesthetic, but also social. Therefore, the poet’s psychological environment is to some extent a copy of cultural politics. Although it is the backbone of “White Plague ”, but as a poet with a strong gender awareness and political consciousness, Sylvia Plath keenly grasped the political environment of the United States in the 1950s and 1960s And social environment, and integrate it into the poetic language. In his poems, the intervention of identity politics, gender politics and ecological political discourse has made the writing of “Confession Poem” seemingly private has the confusion between public and private space and reveals the positive value and significance of morbid society.