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前不久,中国内地首个关于勒·柯布西耶的《巨人的建筑》展览在深开幕,吸引诸多人士前往参观。在三楼展厅中心投影区的一面墙上,看到了这么几句话:没有一种理性的秩序,一种数学秩序的激奋,也就没有值得去欣赏的艺术;一件艺术作品应当引发一种数学秩序的激动情绪,而且导致这种数学秩序的方法应当在普遍通用的方法中找到。寥寥数语,道出理性思考与艺术之间存在的合理关系。理性,作为创造概念世界的轴心,与最终以感性姿态呈现的艺术,发生一系列化学作用,让原本对立的二者进行灵感碰撞,创造出新的表现语言与表现形式。
Not long ago, the first exhibition on “Le Corbusier’s Construction” in mainland China opened in depth and attracted many people to visit. On the wall of the projection area on the third floor of the exhibition hall, I saw a few words: There is no rational order, an excitement of a mathematical order and no art worth appreciating. A work of art should lead to a The excitement of the mathematical order, and the method that led to this mathematical order, should be found in a common method. A few words, tells the rational relationship between rational thinking and art. Rationality, as the axis of creating a conceptual world, and the eventual art of perceptual poses a series of chemical effects that allow the two sides to be inspired to collide and create new expressions of language and expression.