元代末年,古城扬州的一帮文人曾以“高祖还乡”为题,搞了一次“同题创作”,结果,睢景臣的《哨遍》以“制作新奇”,独占鳌头。它的“新奇”之处,就在于把“高祖还乡”这样一个老掉了牙的历史故事处理得那样精妙绝伦,那样出神入化。 本文所要探讨的就是这种“点铁成金”的奇异效果是如何实现的。 《高祖还乡》在对历史题材的处理上,在作品的艺术构思上,在选择属于自己的 In the late Yuan Dynasty, a group of literati in Yangzhou, the ancient city, engaged in the creation of the same title with the theme of returning the elders to their ancestors. As a result, Gao Jingchen made every effort to create novelties with the novelist. Its “novelty” lies in the exquisiteness and exquisiteness of dealing with such an old toothy historical story as “the ancestor returning home.” What this article explores is how this “ironclad gold” singularity effect is achieved. “Return of the elders” in the treatment of historical themes, in the artistic conception of the work, in choosing their own