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1948年,威廉斯的《欲望号街车》首次公演,深陷错觉的白兰琪立刻成为了文学爱好者、研究者以及文学评论家们关注的重点。虽然,白兰琪因其错觉博得了同情与怜悯,关于她的错觉却多是消极的诠释。本文旨在从应对机制视角重新解读白兰琪的错觉。错觉不仅让白兰琪重拾生活的勇气与自信,其也是白兰琪在残酷现实面前成功减压的一种有力手段,错觉是白兰琪实现自我保护的一种独特方式。
In 1948, Williams’s “Streetcar Named for Desire,” premiered and the illusion of being deeply involved, immediately became the focus of attention of literary amateurs, researchers and literary critics. Although Prynne won sympathy and compassion for her illusion, her illusion was mostly negative. This article aims to re-interpret Bai Lanqi’s illusion from the perspective of coping mechanism. The illusion not only allows Bai Lanqi to regain the courage and confidence of life, which is also a powerful means of Bai Lace Qi in the face of brutal reality decompression, delusion is a unique way Bai Liren self-protection.