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张正民:贝瑞·焦尔的收藏展将弗朗西斯·培根的“绘画隐私”暴露给了我们,也让我们了解了一个伟大艺术家是如何诞生的。我们想知道的是:用心理学还是哲学来解释他的绘画更有意义?王亚敏:培根对于失败的绘画通常会予以彻底摧毁,然后重新开始一场新的冒险和赌博。一方面,对偶然性和当下即刻性的信任使他对某种绘画知识或者技术总是缺乏信任或者感到乏味;另一方面,他坚持自我教育而成为“画家中的画家”。所以,在“艺术家之眼”(以培根对艺术家及其作品选择而组织的一次展览)中,培根选择德加的原因也许还包括:“华丽一刻的表演”
Zhang Zhengmin: Berry Jaull’s collection exposes Francis Bacon’s “Painting Privacy” to us and gives us an idea of how a great artist was born. What we want to know is: Is it more meaningful to use psychology or philosophy to explain his paintings? Wang Yamin: Bacon’s painting of failure is usually completely destroyed, and then a new adventure and gamble are resumed. On the one hand, his trust in fortuitousness and moment of immediateness has led him to always lack trust or boredom in painting knowledge or technique; on the other hand, he insisted on self-education and became “an artist in painter”. So in Bacon’s Eye (an exhibition organized by Bacon for artists and their work), Bacon’s reasons for choosing Degas may include: “Gorgeous Performances”