《2005年的夏天》有一个副标题,即《平民的景象》。画这些画的初衷,不是出于艺术,而全然是我作为平民体会着平民人群的喜忧哀乐而做的一个表达。尽管这样的表达可能被认为太不艺术,但生存的感受和道义上的自觉,使我无心计较我的画在他人眼中和时下市场文化背景下的意义和价值。因为用了“2005年的夏天”做画题,引来人问:“2005年发生了什么事?”我只好答:“2005年发现了毒牛奶”。其实,不是因为2005年而画这些画。民众在2005年之前存在了 There is a subtitle of “Summer 2005”, “The Scene of Civilians.” The original intention of drawing these paintings was not art, but rather an expression of my joy and sorrow as a civilian to experience the civilian population. Although such expressions may be regarded as too artless, the feeling of survival and moral self-consciousness made me inadvertently consider the significance and value of my paintings under the eyes of others and the current market culture. Because of the use of “summer of 2005 ” to do painting, drawing people asked: “What happened in 2005? ” I had to answer: “In 2005 found the poison milk ”. Actually, these paintings were not drawn in 2005. The people existed before 2005