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文章着重从触键方式上对肖邦钢琴曲降b小调谐谑曲作品31号的演奏技巧进行分析探讨,从四个方面来着重说明,一、怎样可以弹奏出真正的连奏。二、高抬指,快触键。三、手腕、肘及肩部给手指带来的帮助。从中我们可以了解到不同的触键方式所需要的指尖感、承重感、都不一样。并且,不同的作品有不同的触键方法,因此,只有不断提高自己的音乐修养和鉴赏水平才能选择不同的触键方法去弹奏不同时期的作品。
The article focuses on the key way from the Chopin piano trumpet B minor Schokking works on the 31st of playing techniques to analyze and discuss, focusing on four aspects, one, how can you play a true legato. Second, high lift fingers, quick touch keys. Third, the wrist, elbows and shoulders to help bring your finger. From which we can understand that different touch-point methods need the sense of fingertips, load-bearing, are not the same. Moreover, different works have different touch-key methods, so only by constantly improving their musical cultivation and appreciation skills can they choose different touch-key methods to play works of different periods.