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本文通过对“索米鬻笔”和“挟怨曲笔”两则对陈寿所作《三国志》评价的考辨,以期端正对陈寿作为史学家的史德及其所作《三国志》的真实性的认识。
This article examines the evaluation of Chen Shou’s “Three Kingdoms” by comparing “Sommelier” and “Memoir” with a view to rectifying Chen Shou’s work as historian and his “Three Kingdoms” "The authenticity of the understanding.