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狭小空间里的个体对冲,彼此都逃不过彼此的冷眼,于是一个个莫名其妙的情感烂摊子,才会殊途同归地走向悲剧的收场。暌别许久,台湾导演张作骥重回柏林。也许是近来顶着太多舆论的压力,站在风口浪尖的他,选择用最切肤的情绪一次性将影片塞得满满当当(柏林电影节结束后不久,张作骥因性侵案被判刑3年10个月)。于是,在《当爱来的时候》和《暑假作业》中依靠小清新托举的日常,变成了《醉·生梦死》中刀刀见血的忧愁,一群属于亚文化的少男少女背起父母辈超量的情感负载,在台北这个欲望流动的城市中,仿
Individual hedge in a small space, each escaped each other’s cold, so one by one inexplicable emotional mess, will be the same path to the end of the tragedy. After a long absence, Taiwanese director Zhang Zuji returned to Berlin. Perhaps it is because of the pressure of too much public opinion recently that he is at the cusp of opting for the movie to be crowded full time with the most extreme emotions (Shortly after the Berlin Film Festival, Zhang Jurong was convicted of sexual assault for 3 years 10 month). As a result, relying on small fresh escorts in “When Love Comes In Time” and “Summer Homework” turns into sorrows in the “Drunk Dream”, a group of boys and girls belonging to the subculture Excessive emotional load from parents, in the desire to flow in Taipei, Imitation