当中国处于半殖民地半封建社会时期,上海作为中国最大的工商业城市,文人、画家纷纷聚集此地。画家们为了适应新兴市民阶层的需要,其作品在题材、内容、风格技巧等方面都形成了新的特色,上海画派由此形成。它经历了早、中,晚三个时期,女性画家吴淑娟就属于海派中期画家之一。她的作品常为兼工带写,刻画工整、细腻而又老辣。作品气魄雄厚,意境高远。她汲取了刚健雄强的金石艺术,又在外来艺术和传统基础上破格创新。她修养全面,常为人施,为后来画家树立了良好的榜样。正是吴淑娟这样的诸多海派画家,使没落衰败的清代绘画为之一振,海派艺术展现了近现代中国绘画的复兴,他们的艺术将永远散发着耀眼的光芒。 When China was in the semi-colonial and semi-feudal society, Shanghai, the largest industrial and commercial city in China, brought together scholars and painters. In order to meet the needs of the emerging citizen classes, painters formed new characteristics in themes, content, style and skills, and the Shanghai Painting School formed. It has gone through three periods: early, middle and late. Female artist Wu Shujuan belongs to one of the medium-term artists of Shanghai School. Her work is often written with part-time workers, depicting neat, delicate and spicy. Works bold style, lofty mood. She learned the strong stone arts, but also based on foreign art and tradition based on innovation. She is well-versed and often man-made, setting a good example for later painters. It is the great number of Shanghai school painters such as Wu Shujuan who made the decline of declining Qing dynasty paintings vibrantly. The Shanghai faction shows the revival of modern Chinese painting. Their art will always emit bright light.