城市在中国的发展尽管已百年有余,然而“中国社会在本质上是乡土中国”(1)的特征时至今日依然如故,城市叙事也从未与乡土叙事平分文学格局,尤其是作为内陆省份的山西,关于城市的叙事一直是其薄弱之处,焦虑如影随形。进入新世纪之后,随着以60后、70后、80后为创作主体的“新锐作家”日渐成熟,关于城市的书写渐渐多了起来,这种状况开始有了一定程度的改观,但身处内陆的作家们如何面对城市文化?其深厚的乡 Although urban development in China has been more than a century, the character of “Chinese society in essence is native China” (1) remains as it is today. Urban narratives have never even equated literary patterns with local narratives, In Shanxi, a land province, the narrative about the city has always been weak and anxious. After entering the new century, as the “cutting-edge writers” who are the main body of creation after 60s, 70s and 80s have gradually matured, the writing on the city gradually increased and the situation began to change to some extent. However, How do inland writers face urban culture? Its deep countryside