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北京人艺建院60周年之际,排演了话剧《甲子园》。当蓝天野、朱琳、朱旭、郑榕等老艺术家在舞台上演绎时代沧桑,见证北京人艺的“五世同堂”时,不少首都的老观众热泪盈眶。人生六十一甲子,这人这戏穿越剧场,凝铸成一幢古朴深邃的高楼,那就是北京人艺。在这幢楼里,担任《甲子园》导演重任的任鸣穿着宽大的牛仔上衣,松垮的像件褂袍,随性闲适,普通得让人意外。在众多话剧导演中,任鸣无疑是比较独特的一位。并非他的个性有多么突兀、张扬,或者对艺术的追求如何先锋、激进,而是因
On the occasion of the 60th anniversary of Peking Man Art and Construction Institute, a rehearsal of the drama “Koshien Garden” was held. When the blue sky wild, Zhu Lin, Zhu Xu, Zheng Rong and other old artists in the stage interpretation of the vicissitudes of life, witness the Beijing art “” five generations “, many old people in the capital tears. Life is sixty-one Koshien, this man through the theater theater, cast into a simple deep skyscraper, that is, Beijing art. In this building, Ren Ming, who served as director of ”Koshien", wore a large denim jacket and a loose gown like a dressing gown, so casual was not surprising. In many drama directors, Renming is undoubtedly a more unique one. Not how his character is abrupt, publicity, or how the pursuit of art pioneer, radical, but because