张俊荣的书法与他的性格一样,既稳重内敛,又热情奔放。虽以传统的经典为根基,但师古而不泥古,奉行“笔墨当随时代”的审美观。张俊荣的楷书作品主要取法于“二王”、北碑和唐楷,追求的是稳重粗犷、大气磅礴和气定神闲,碑、帖兼融,刚柔相济。因而他的大字楷书,相对于魏碑,多 Zhang Junrong’s calligraphy, like his character, is both steady and passionate. Although the traditional classic as the foundation, but the ancient division of ancient poetry, pursue the “pen and ink as the times” aesthetic. Zhang Junrong’s regular script works mainly from the “two kings”, North monument and Tang Kai, the pursuit of a steady rough, magnificent and indomitable spirit, tablet, posts and financial integration, hardness and softness. Therefore, his regular script, relative to Wei tablet, and more